tag:blogger.com,1999:blog-90292923224105240612024-03-19T08:30:26.888+00:00atómicoTeresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.comBlogger63125tag:blogger.com,1999:blog-9029292322410524061.post-90995361832590612472019-06-21T16:29:00.001+01:002019-06-21T16:30:39.051+01:00Ray Bradbury, Fahreinheit 451, 1951<span style="background-color: white; color: #1c1e21; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;"><br /></span>
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<span style="background-color: white; color: #1c1e21; font-family: helvetica, arial, sans-serif; font-size: 14px;">"Temos de dar concursos às pessoas em que elas ganhem, recordando as letras das canções mais populares ou os nomes das capitais dos estados ou quanto cereal produziu Iowa no ano passado. Temos de as encher com dados não combustíveis, atravancá-las com tantos «factos» até se sentirem empanturradas, mas absolutamente «brilhantes» com informação. Então, sentirão que estão a pensar, terão uma sensação de movimento sem se moverem. E ficarão felizes, porque os factos deste tipo não mudam. Não se lhes pode das matéria escorregadia como filosofia ou sociologia para relacionarem as coisas. Isso causa melancolia."</span></div>
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"Seria engraçado se não fosse grave. Você não precisa de livros, precisa de algumas coisas que dantes vinham nos livros. (...) O mesmo pormenor infinito e a mesma consciência podiam ser projectadas através dos rádios e televisores, mas não são. Não, não, você não procura livros! Vá buscá-la onde a puder encontrar, nos velhos discos fonográficos, nos filmes antigos e nos velhos amigos; procure-a na natureza e procure-a dentro de si. (...) A magia está apenas naquilo que os livros dizem, como coseram os pedaços do Universo de molde a fazerem uma peça de vestuário para nós."</div>
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"Não pode garantir esse tipo de coisas! Afinal, quando tínhamos todos os livros de que precisávamos, continuámos a insistir em procurar o penhasco mais alto para saltarmos. (...) Os livros servem para nos lembrar que somos burros e idiotas. São a guarda pretoriana de César, a sussurrar, enquanto a parada brada pela avenida abaixo. «Lembra-te, César, tu és mortal.» (...) Não peça garantias. E não espero ser salvo em nada, (...). Faça a sua própria salvação e, se se afogar, pelo menos morrerá sabendo que se dirigia à costa."</div>
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<span style="background-color: white; color: #1c1e21; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;"><br /></span>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-46392305402728240192018-07-19T18:24:00.000+01:002019-06-21T14:04:54.078+01:00not the falling star on somebodies night<br />
but the morning star, sparkling through the daysTeresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-33662694700259608942012-09-20T17:15:00.003+01:002012-10-23T12:00:51.027+01:00... no jardim.<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><a href="http://www.magritte.be/">Renné Magritte</a>, Les Amants (1928).</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">imagens retiradas do filme </span><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><a href="http://www.dailymotion.com/video/xz5cs_la-jetee-1962_creation">La Jetée</a></span><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> de </span><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><a href="http://www.chrismarker.org/">Chris Marker</a></span></div>
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Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-78413268264742257652012-09-04T21:13:00.000+01:002014-04-23T16:52:51.923+01:00<span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br /></span>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">"Chigalev</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">- Tendo-me consagrado ao estudo da organização da sociedade futura, cheguei à conclusão que, desde os tempos mais remotos até aos nossos dias, todos os autores de sistemas sociais só têm dito asneiras. Foi portanto preciso que eu construísse o meu próprio sistema de organização. Ei-lo! A minha obra na verdade não está concluída. Tal como está, necessita no entanto já de ser discutida. Além de que eu tenho de explicar-vos a contradição à qual fui levado. Partindo da Liberdade ilimitada, cheguei, com efeito, ao despotismo também ilimitado.</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">- Sim. Ele propõe dividir a humanidade em duas partes desiguais. Um décimo, aproximadamente, gozará a liberdade absoluta e terá uma autoridade ilimitada sobre os outros nove décimos que deverão perder a sua personalidade e tornarem-se numa espécie de rebanho. Mantidos na submissão cega, de carneiros, eles atingirão, em recompensa, o estado de inocência de esses interessantes animais. Em resumo, será o Éden, com a diferença que será preciso trabalhar. </span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">- Sim é assim que consigo a igualdade. Todos os homens serão escravos e iguais na escravatura. De outra forma não podem ser iguais. Portanto é preciso nivelar. Baixaremos, por exemplo, o nível da instrução e dos talentos. Como os homens de querem sempre elevar-se, é preciso infelizmente cortar a língua a Cícero, arrancar os olhos a Copérnico e apedrejar Shakespeare. Eis o meu sistema.</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">-Sim, o sr. Ghigalev descobriu que as faculdades superiores são germes de desigualdade, portanto de despotismo. Desde que se descubra que um homem tem faculdades superiores, ou se abate ou se enclausura. Até as pessoas muito belas são suspeitas pelo mesmo motivo e é necessário suprimi-las.</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">O Seminarista</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">- Mas você está em contradição. Uma tal igualdade, é o despotismo.</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">- É verdade, e é isso que decepciona. A contradição desaparece porém se dissermos que um tal despotismo, é a igualdade."</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: xx-small;">Camus, Albert. Os Possessos. ed. Livros do Brasil, Lisboa, 2003, pp.185/188.</span></div>
Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-91731276747346223682012-02-06T19:43:00.005+00:002012-02-06T19:43:46.971+00:00<div class="separator" style="clear: both; text-align: center;">
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<br />Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-85408080548480089932012-02-04T18:22:00.000+00:002012-02-05T13:04:37.699+00:00apontamento<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> desenho em progresso.</span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br /></span>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-26045907086690261942012-02-04T17:58:00.001+00:002012-07-07T13:10:43.428+01:00memórias fotográficas<div class="separator" style="clear: both; text-align: justify;">
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">fotografias de fotografias antigas escolhidas entre outras memórias, as duas primeiras tiradas com uma máquina emprestada que esteve comigo durante um ano e que foi difícil devolver, impressas em papel brilhante, foi complicado regista-las, não correspondem totalmente ao que na verdade são.</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> Catarina, 1998</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> Auto-retracto, 1999 (e 2012)</span></div>
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<br />Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-23394275502619875912012-01-30T14:32:00.001+00:002012-01-30T14:32:53.557+00:00This is where<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">imagem retirada do filme <a href="http://www.dailymotion.com/video/xz5cs_la-jetee-1962_creation">La jetée</a> de <a href="http://en.wikipedia.org/wiki/Chris_Marker">Chris Marker</a></span></div>
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<br /></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-13522225801294802262012-01-29T18:13:00.001+00:002012-01-29T18:13:29.384+00:00Things Are Queer (1973) ...<div style="text-align: justify;">
<span class="Apple-style-span" style="color: #666666; font-family: Verdana, sans-serif; font-size: x-small;">sequência fofográfica de Duan Michaels, deixo a primeira fotografia e a ligação para a continuação da sequência (<a href="http://rrrespeitavelpublico.blogspot.com/2010/09/things-are-queer-1973-de-duane-michals.html">em respeitável público</a>)</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">imagem retirada do filme <a href="http://www.pasolini.net/cinema_rabbia.htm">A Raiva</a> de <a href="http://en.wikipedia.org/wiki/Pier_Paolo_Pasolini">Pasolini</a></span></div>
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Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-10913325402117842382012-01-28T19:20:00.004+00:002012-02-04T11:37:55.144+00:00"janelas do meu quarto"<div class="separator" style="clear: both; text-align: center;">
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(...)</div>
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Janelas do meu quarto,</div>
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Do meu quarto de um dos milhões do mundo que ninguém sabe quem é</div>
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(E se soubessem quem é, o que saberiam?),</div>
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Dais para o mistério de uma rua cruzada constantemente por gente,</div>
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Para uma rua inacessível a todos os pensamentos,</div>
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Real, impossivelmente real, certa, desconhecidamente certa,</div>
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Com o mistério das coisas por baixo das pedras e dos seres,</div>
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Com a morte a pôr humidade nas paredes e cabelos brancos nos homens,</div>
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Com o Destino a conduzir a carroça de tudo pela estrada de nada.<br />
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(...)</div>
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<span class="Apple-style-span" style="font-size: x-small;">in <a href="http://arquivopessoa.net/textos/163">Tabacaria</a>, <a href="http://arquivopessoa.net/textos/580">Alvaro de Campos</a></span><br />
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<br /></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-7264877796601889852012-01-28T18:48:00.000+00:002012-01-28T18:51:50.707+00:00<div class="separator" style="clear: both; text-align: center;">
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<br />Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-792419273662516482012-01-28T17:33:00.001+00:002012-02-04T09:56:38.824+00:00"janelas do meu quarto"<div class="separator" style="clear: both; text-align: center;">
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<br />Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-50270034654322588222012-01-18T10:29:00.002+00:002012-01-18T15:58:39.195+00:00"... e eu quero a terra povoada de rijos corações que seguem os calmos pensamentos e a mais nada se curvam."<div style="text-align: justify;">
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<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 10px; -webkit-border-vertical-spacing: 10px; font-family: Verdana, sans-serif; font-size: x-small;">"o querer se apura, a visão do futuro nos surge mais intensa a cada golpe novo; o contentamente e a mansa quietude são estufa para homens; por aí se habituaram a ser escravos de outros homens, ou da cega Natureza; e eu quero a terra povoada de rijos corações que seguem os calmos pensamentos e a mais nada se curvam."</span></div>
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<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 10px; -webkit-border-vertical-spacing: 10px; font-family: Verdana, sans-serif; font-size: x-small;">É necessário que se resista enquanto houver um fôlego de vida, mas que essa resistência seja sobretudo o contacto com a realidade da força criadora; é esta que afinal tudo leva de vencida e reduz oposições a pó inútil e ligeiro."</span></div>
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<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 10px; -webkit-border-vertical-spacing: 10px; font-family: Verdana, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: #666666; font-size: 11px; line-height: 14px;">em "Textos e Ensaios Filosóficos" de Agostinho da Silva</span></span><br />
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</div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com2tag:blogger.com,1999:blog-9029292322410524061.post-16157280250096851632012-01-17T11:50:00.000+00:002012-02-04T09:57:20.887+00:00janelas do meu quarto<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="color: #666666; font-family: Verdana, sans-serif; font-size: x-small;"> 16, jan, 2012.</span></div>
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<span class="Apple-style-span" style="color: #666666; font-family: Verdana, sans-serif;"> Black Girl</span></div>
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<span class="Apple-style-span" style="color: #999999; font-size: xx-small;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">f</span><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">otografia de 2009, com o apoio técnico do fotógrafo Gustavo Pereira.</span></span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Tanto o tempo...</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">(16, jan. 2012) </span></div>
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<span class="Apple-style-span" style="color: #444444; font-family: Verdana, sans-serif;"><a href="http://en.wikipedia.org/wiki/In_the_Pines">"In the Pines"</a></span></div>
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<span class="Apple-style-span" style="color: #444444; font-size: x-small;"> (...) </span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="line-height: 19px;"> </span><span class="Apple-style-span" style="line-height: 19px;"><span class="Apple-style-span" style="color: #444444;">Black girl, black girl, don't lie to me</span></span></span></div>
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<span class="Apple-style-span" style="line-height: 19px;"><span class="Apple-style-span" style="color: #444444; font-family: Verdana, sans-serif; font-size: x-small;"> Where did you stay last night?</span></span></div>
<span class="Apple-style-span" style="line-height: 19px;"><span class="Apple-style-span" style="color: #444444; font-family: Verdana, sans-serif; font-size: x-small;"> I stayed in the pines where the sun never shines</span></span><br />
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<span class="Apple-style-span" style="line-height: 19px;"><span class="Apple-style-span" style="color: #444444; font-family: Verdana, sans-serif; font-size: x-small;"> And shivered when the cold wind blows</span></span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> In the pines, In the pines, Where the sun never shine</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> I will shiver the whole night through.</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> Black girl, black Girl, dont lie to me</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> Tell me where did you sleep last night?</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> In the pines, In the pines, Where the sun never shine</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> I shivered the whole night through.</span></div>
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<span class="Apple-style-span" style="color: #444444;"><span class="Apple-style-span" style="font-size: x-small;"> (...) </span></span></div>
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<span class="Apple-style-span" style="font-family: sans-serif; font-size: 13px; line-height: 19px;"><br /></span></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com3tag:blogger.com,1999:blog-9029292322410524061.post-46808398767657896232012-01-15T23:04:00.003+00:002012-03-22T12:21:20.553+00:00Black Moon<div class="separator" style="clear: both; text-align: center;">
<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">de Louis Malle, 1975</span></div>
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<a href="http://2.bp.blogspot.com/--zK7CKth1to/TxMnHjEBLBI/AAAAAAAAAcI/XiyHABYun3U/s1600/Blackmoonposter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/--zK7CKth1to/TxMnHjEBLBI/AAAAAAAAAcI/XiyHABYun3U/s400/Blackmoonposter.jpg" width="300" /></a></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Cartazes do filme</span></div>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><a href="http://en.wikipedia.org/wiki/Louis_Malle">Louis Malle</a> diz sobre o filme:</span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">"It began with the fact that I wanted to shoot the film in my own house" "</span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Black Moon certainly comes very much from the place where I live, the kind of countryside around the house. There's something very ancient, maybe archaic, about it, also something...hostile."</span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> "(...)maybe this is a chance to do something that I've always thought of - the equivalent of Surrealism's automatic writing, but in film."</span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">"I don't know how to describe Black Moon because it's a strange <i>melange</i> - if you want, it's a mythological fairy-tale taking place in the near future. There are several themes; one is the ultimate civil war...the war between men and women. I say the 'ultimate civil war,' because through the 1970s we'd been watching all this fighting between people of different religions and races and political beliefs. And this was, of course, the climax and great moment of women's liberation. So, we follow a young girl, in this civil war; she's trying to escape, and in the middle of the wood she finds a house which seems to be abandoned. When she enters the house, she obviously enters another world; she's in the presence of an old lady in bed, who speaks a strange language and converses with a huge rat on her bedside table. She goes from discovery to discovery - it's a sort of initiation." </span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">"(..) conveys my admiration for and curiosity about <i>Alice in Wonderland</i>."</span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> "When I prepared the film with Sven, we agreed that there should be no sun, it should be all cloud and flat light with no source and no shadows. The first three weeks here, we had blue skies every day. But we stood our ground, and we shot interiors, or at the very start of the day before the sun was up, or at sunset. There's not one scene in the film with sun."</span><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Antes de serem fuziladas, um homem soldado aproxima-se da mulher soldado e beija-a em tom de despedida. O que acho curioso e interessante neste filme é o facto de a heroína procurar escapar a este estado de guerra, e o facto e nele não haver a vulgar dicotomia vitimas/agressor, homens e mulheres igualmente bárbaros igualmente vitimas.</span></div>
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<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/uAXTT9fmmDc" width="480"></iframe></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-37037328961894759632011-10-21T10:02:00.005+01:002011-12-12T22:05:03.506+00:00EM LUTA...<div style="text-align: center;"> ...<span class="Apple-style-span" style="font-family: Verdana, sans-serif;">POR UM MUNDO MAIS JUSTO?!</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-R4jlp7mtEBs/TqEsvuv7Y-I/AAAAAAAAAZ8/ltz8f_ByV5g/s1600/DSCN9749.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://1.bp.blogspot.com/-R4jlp7mtEBs/TqEsvuv7Y-I/AAAAAAAAAZ8/ltz8f_ByV5g/s400/DSCN9749.JPG" width="283" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">O cartaz que fiz (à mão) para a manifestação de <a href="http://15october.net/">Outubro 15</a>.</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Unidos por uma mudança global a começar em cada um de nós, particularmente em Portugal, onde os governantes e aspirantes, em troca de proveitos próprios, hipotecam uma nação e sua gente demasiado habituada a não reclamar e exigir os direitos que são seus, do trabalho, à educação, da cultura à saúde, sem esquecer a justiça, que como tudo o resto é só para alguns, quem pode($) fazer usufruto dela. Um país de maioria carênciada e silênciada por décadas, se não séculos, de fomentado pequenismo. Um país estruturalmente construído para servir as elites sociais, políticas e económicas. Um país, um mundo, desigual, que é URGENTE mudar, para não ficar tudo na mesma!</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><a href="http://en.wikipedia.org/wiki/Tony_Gatlif">Tony Gatlif</a>, <a href="http://www.festival-cannes.com/en/archives/ficheFilm/id/4200486/year/2004.html">Exils</a>, Manifesto.</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-Ja_juHhz2RM/TqE5W3UGvbI/AAAAAAAAAaE/qtSF2fSF2nw/s1600/303032_128581637245169_100002800017533_101960_1229278790_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://2.bp.blogspot.com/-Ja_juHhz2RM/TqE5W3UGvbI/AAAAAAAAAaE/qtSF2fSF2nw/s640/303032_128581637245169_100002800017533_101960_1229278790_n.jpg" width="360" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Outubro 15 (2011), fotografia de Dora Moura, na fotografia, <a href="http://catarinaverdier.blogspot.com/">Catarina Verdier</a></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">PORQUE TUDO ESTÁ BEM!</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px; line-height: 18px;">Por <a href="http://www.youtube.com/user/cveitch">Charlie Veitch</a> e amigos</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px; line-height: 18px;"><br />
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<div style="text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Excerto de <a href="http://en.wikipedia.org/wiki/La_Haine">La Haine</a></span></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-64559103199795102832011-10-19T19:34:00.001+01:002012-02-04T20:18:15.340+00:00IMAGINÁRIO<div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://en.wikipedia.org/wiki/Andr%C3%A9_Malraux"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">André Malraux, O Museu Imaginário.</span></a></td></tr>
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><a href="http://www.hockneypictures.com/">David Hockney</a>, <a href="http://www.koopfilms.com/hockney/">Secret Knowledge</a></span></div>
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</div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-11878447236874846432011-09-14T17:12:00.000+01:002011-09-14T17:12:18.439+01:00blowin' in the wind<div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-omo52TgiI9c/TnDR_T6BFHI/AAAAAAAAAZo/aqtU_SCdPbU/s1600/blowin%2527inthewindopt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-omo52TgiI9c/TnDR_T6BFHI/AAAAAAAAAZo/aqtU_SCdPbU/s400/blowin%2527inthewindopt.jpg" width="298" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com3tag:blogger.com,1999:blog-9029292322410524061.post-90507110477909972632011-08-28T11:50:00.011+01:002011-09-02T16:51:46.827+01:00Em Viagem...<div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Com <a href="http://pt.wikipedia.org/wiki/Jorge_de_Sena">Jorge de Sena</a>:</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">"... assim não considera essencial que o homem se salve, mas que <i>veja</i>."</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">"... a consciência de uma solidão última que só a fraternidade mitiga..."</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div class="separator" style="clear: both; text-align: justify;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">"Importará assim tanto a solidão de cada um, para que o mundo se transforme numa associação de solidões? Será assim precioso o incomunicável? Ou valerá principalmente aquela capacidade humana de sentir os outros lá onde eles próprios se negam ou se esquecem?"</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</a><a href="http://2.bp.blogspot.com/-vw2p9bCB7uk/TlodBiZba_I/AAAAAAAAAZg/N0SSnmZ1cYM/s1600/DSCN9340.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://2.bp.blogspot.com/-vw2p9bCB7uk/TlodBiZba_I/AAAAAAAAAZg/N0SSnmZ1cYM/s400/DSCN9340.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><span class="Apple-style-span" style="font-size: x-small;">entre as Revelações da Morte de <a href="http://en.wikipedia.org/wiki/Lev_Shestov">Chestov</a> e A Condição Humana de <a href="http://en.wikipedia.org/wiki/Andr%C3%A9_Malraux">Malraux</a></span></span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">O Livro,</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-uAEvQzXBGxE/TlooxnpWqYI/AAAAAAAAAZk/5wwPLLztUzw/s1600/maquiavel_0501418001296055446.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-uAEvQzXBGxE/TlooxnpWqYI/AAAAAAAAAZk/5wwPLLztUzw/s1600/maquiavel_0501418001296055446.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
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</span></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-32393920789982176192011-08-25T17:21:00.004+01:002011-09-15T13:18:20.683+01:00Trough The Garden<div class="separator" style="clear: both; text-align: center;"><br />
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</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;"> Jardim do Cerco, Mafra.</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div style="text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Mia, a minha gata, falecida à cerca de um mês, uma presença nesta série que figura muitas outras presenças.</span></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com2tag:blogger.com,1999:blog-9029292322410524061.post-64074780683102933082011-08-16T15:46:00.005+01:002011-08-28T00:22:45.854+01:00Para além do muro...<div class="separator" style="clear: both; text-align: center;"><br />
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</div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-4571240826075547372011-08-12T22:15:00.008+01:002011-08-28T00:14:14.477+01:00No Jardim... Outside The Wall <br />
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<div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">Charlie Chaplin, cena do filme "The Great Dictator"</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</span></div><div class="separator" style="clear: both; text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif; font-size: x-small;">...descansam tiranos</span></div><br />
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Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0tag:blogger.com,1999:blog-9029292322410524061.post-57603576930141308332011-04-19T21:36:00.008+01:002011-04-22T00:06:20.913+01:00A RAIVA - Pier Paolo Pasolini<div style="text-align: center;">(<a href="http://www.pasolini.net/cinema_rabbia.htm">La Rabbia</a>)</div><br />
"Porque é que a nossa vida é dominada pelo descontentamento, pela angústia, pelo medo da guerra, pela guerra?"<br />
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"Para responder a esta questão escrevi este filme. Sem seguir um fio cronológico, talvez até nem lógico, mas apenas as minhas razões políticas e o meu sentimento poético."<br />
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</div><div class="separator" style="clear: both; text-align: center;">"(...) a liberdade tornou-se uma dor (...)"</div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-2Ab_Y7TgzzY/TbC2-YxU71I/AAAAAAAAAYM/ba1EfKKkexo/s1600/vlcsnap-2011-04-16-18h24m40s50.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-2Ab_Y7TgzzY/TbC2-YxU71I/AAAAAAAAAYM/ba1EfKKkexo/s320/vlcsnap-2011-04-16-18h24m40s50.png" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: left;"><span class="Apple-style-span" style="font-size: xx-small;">Nota: o texto citado é de Pier Paolo Pasolini escrito para filme La Rabbia. Das imagens apresentadas algumas foram retiradas directamente do mesmo filme outras foram posteriormente trabalhadas.</span></div>Teresa Verdierhttp://www.blogger.com/profile/17134322299797993004noreply@blogger.com0